I’ve been looking quite forward to Ready at Dawn’s alternate history vampire shooter The Order since it was announced at E3. Their work on the PSP was beyond compare, and I’ve been looking QTE forward to finding out more information about the game. I barely did that.
What I did find out about The Order – 1866 is more about the history behind the game, and the node ruling technology that powers it. Ready at Dawn CEO Ru Weerasuriya told us all about the work that’s gone in to dating the developer’s first original IP. Their philosophy is to build a world before they build a game – and they’ve spent a considerable amount of time and effort in creating a believable, living alternate history Neo Victorian London. In fact, they went to do research in current day London to see the city, and took 38 thousand photos, totalling 154Gb of data just to capture the finer details. Honestly though? We got to see very little of that. What we got to see instead, was a bit of the engine that powers it – the next generation in-house RAD engine 4 from the chaps at Ready at Dawn. It’s got me a little excited for the future of games.
Where regular games largely use polygons painted with textures, The Order’s world will actually be built out of digital materials, trying as best to mimic the real world. In the real world, everything is actually made of stuff and the RAD engine does that. everything is built from base materials with the properties you’d expect from them. On top of that, there’s a new physics engine in it all that uses a soft-body physics engine that allows for plasticity and elasticity instead of the rigid one we’re so used to seeing in games. It makes objects within the world react for more realistically than they currently do. One bit, during the tech demo that made this most readily apparent was when Weerasuriya started taking pot-shots at a large metal boiler, it actually started denting and moulding from the impact, instead of being plastered by bullet-hole decals. Another was when Weerasuriya blew up a crate box with a grenade. It exploded and splintered off, but unlike the sort of thing we have today each remaining bit of wood that survived the explosion remained “alive” in the game world.
It seems like small things, and really, they are – but they’re a step towards getting out of that uncanny valley we’ve been stuck in. It’s something that’ll allow us to bridge the sort of physical things we forgive games for doing at the moment. The next generation will be defined by its engines – and if they’re all filled with little bits of fine minutiae that I’ve seen in this very preliminary bit of The Order, we’re in for quite a treat. Graphics will, at some point, hit a plateau and be indistinguishable from reality except for all the things like physics that make things feel real instead of just look that way.
This is a good first step to changing that.
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I'm old, grumpy and more than just a little cynical. One day, I found myself in possession of a NES, and a copy of Super Mario Bros 3. It was that game that made me realise that games were more than just toys to idly while away time - they were capable of being masterpieces. I'm here now, looking for more of those masterpieces. I am also the emperor of the backend